The Last House on Dead End Street

After being released from prison, a young gangster with a chip on his shoulder decides to punish society by making snuff films.

Yella

A young East German woman leaves her husband and business partner and relocates to a West German city to start anew as an accountant, but he soon catches up with her.

Mirrorty

About the mysterious disappearance of a man who lives alone in a city where people are vanished mysteriously, who is alienated from society and ignorant to social tragedies.

No More God in Doctor

Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.

Burn Out

An assistant will do anything to get his presentation in front of his boss… even set himself on fire.

Why Does Herr R. Run Amok?

The life of a married Munich technical draftsman with a son.

Der Liebesbaum

Exit 5

Recently divorced Sara decides to pursue her education abroad. Living in a conservative society, her parents refuse for her to do so until she is married once again. So she decides to search for a husband in order to travel.

Kids

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

The Best of Youth

After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.

The End of the Endless

"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.

Truth and Justice

Estonia, 1872. The uncompromising new owner of Robber's Rise must battle with hard work, his spiteful neighbor and with his own family and beliefs to transform the poor land into a flourishing farm of his dreams.

Tamar

Tamar, a 33-year-old Tel Aviv comics artist, watches passersby, listens to their conversations and translates her impressions into comics with an ironic expression. She peels off the mask from a society, in the eye of the storm, that claims to be liberal and in which everyone has an opinion about everything. Secure between her four walls, she touches the darkest spots of her life- a bomb attack, a failed marriage, coping with depression. A young, modern woman in today's Israel.

fifteen zero three nineteenth of january two thousand sixteen

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

The Building and Burning of a Refugee Camp

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

Haus und Hof

Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.